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This writing is related to planning to closely look at ‘Writing with body’ of female poem, being grafted into thoughts of the East and West. Existing studies dealt with female poems, depending on theories of the West so that it seems that another study about female poem is necessary. First of all, recent female poems are characterized by non-specialization of area of woman’s nature. The study read poems written by Kim Haeng-sook and Jin Eun-yeong, harmonizing ‘Body without organs’ told by Deleuze with Laotzu’s way of Thinking. ‘Body’ shown in poems written by Kim Haeng-sook becomes one with material in shapelessness. Poetic subject is ‘me as a partial object without I’ which includes différent. This embodies desire of the poet who intends to be a subject of change in the midst of changed environment. This corresponds to ‘body without organs’, ‘truth’ which aim at Different thing- becoming through inward connection and relation. Metonymic writing accompanied here is related to thinking based on inaction - such thinking does not give name for object. Poems of Jin Eun-yeong are disclosed in part of body coexisted with things. This as inward image of the poet corresponds to ‘place of immanence’ or meaning of truth. This is also similar to development method of poems written by Kim Haeng-sook. But Jin Eun-yeong does not indicate object as ‘me’. It seems that the narrator takes attitude to listen the voice of object outside poems and then record it. This is an another trial to recognize self-otherness which occupies a point in the dimension of body, time and space, and changes. As a result, this accompanies writing of synecdoche that put metaphor upon metonymy. This is related to ethic of ramble. The poems symbolically show that female poems are moving to another stage, trying writing of creating new meaning.