초록
영어
Lee, Young-Zun. “On the Desire and the Imaginary Fantasy in Peter Pan and Wendy.” Studies in English Language & Literature. 42.4 (2016): 115-134. For children, fairy tales are a kind of the Imaginary spaces in that their desires play active roles as the protagonists. The Imaginary fantasy provides an imaginative way of their escaping from the Symbolic castration. However, while children enjoy their fantasies, their true selves are alienated. In Wendy's Imaginary fantasy, Peter Pan emerges as an object a by which she resolves her wishes and desires; he annihilates all the repressed and distorted energies which James Hook insinuates. Peter Pan is Wendy's ego ideal, that is, her mirror image. In the narcissistic fantasy, Peter Pan is her, and she is him. He is also an archetype image, working as a kind of psychic cathexis. However, he is created as an Imaginary veil to hide the lack of her subjectivity. Thus, Peter Pan's mirror image becomes the unconscious core of both Wendy's construction of her ideal self and her Imaginary fantasy based on it, while she is lured, seduced and alienated by her false image. (Hannam University)
목차
I. The Mirror Stage and the Imaginary Fantasy
1.1. The Mirror Stage and the Imaginary Fantasy
1.2. The Imaginary Fantasy against the Symbolic World
1.3. The Imaginary Formation of Peter Pan
II. The Imaginary and the Symbolic Process
2-1. The Formation of Children's Subjectivity
2-2. The Archetypal Significance of Peter Pan
III. Peter Pan and James Hook as an Object A
3.1. The Mise-en-Scene of Desire
3-2. Peter Pan as the Ego-Ideal: an Object A
3-3. James Hook: the Negative Object A
IV. The Conclusion
Works Cited