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영어

It is of course a very difficult task to conclude literary life of Masuji Ibuse conclusively in a word. But I think that I could roughly arrange his literatry life in order as follows; A youngster, aspiring painter who said that “I think it is artistic to paint ordinary things in ordinary places to a picture”, repeats the processes identifying his art in silence, replacing his pen with brush. Beauty, correctness, warmth and longing, the elements consisting core of his literature that can be seen in , his debut work, were absorbed into the lots of works of in the medium term steadily coming to fruition, and the rapid change caused from closed situation of the times added keenness to those outcomes. So his heart, sadly wounded in the world as devil in burning hell, bitterly felt that he could never write in the way to make sentences with ordinary things in ordinary places, that he could complete only in ernest prayer for peace. Yet it is wellknown as the highlight of Atomic bomb literature(Genbaku Literature), can be also called as the best masterpiece personally to Masuji Ibuse that concludes his literary life in the point that his literary outcome and instrumental efforts the author has accumulated since are loaded wholly in this novel.

일본어

井伏鱒二の70年に至る文学人生を一言で規定するのは、同然非常に難しくて容易なことではないが、おおむね次のようなまとめは可能ではないかと思われる。｢平凡な場所の平凡な対象を描くのが芸術的だと思っている｣と言ったある画家志望の青年は絵筆をペンに変えて黙々と己れの芸術を確かめて行く過程を繰り返す。処女作｢山椒魚｣に浮き彫りにされている美しさ、正確さ、暖かさ、懐しさなど、井伏文学の中核を成している諸要素は、以降中期の数多くの作品の重要な要素となって着実にその実を結んで行った。やがて時代の閉塞状況が齎す破滅への急激な変化はその成果の上に鋭さを補った。焦熱地獄の悪魔の現実の前で深く傷つけられた彼の心は平凡な場所の平凡な対象を文章にする方法では到底｢黒い雨｣を書き上げられないことを思い知らされ、平和への祈りと切実さをもって｢黒い雨｣はできあがる。｢黒い雨｣は原爆文学の白眉とよくいわれてきたが、井伏個人にとっても｢黒い雨｣には｢山椒魚｣以降井伏が歩んできた文学人生と方法的努力が余すところなく溶け入れられている点から彼の文学人生を総括するのに最適の作品ではないかと思われるのである。