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We can see serious life style of a lower class such as the folks and the humble in genre paintings that were painted by Hong-do Kim and Yun-bok Shin who were remarkable artists of Chosun. We can recognize the women's hair styles of a lower class through the features of tenants, artisans, and merchants in Hong-do Kim's paintings. Like wise, we can imagine the women's hair styles of a higher class who imitated those of 'Kie-sangs' through the features of Kie-sangs who were illustrated by Shin-yunbok Common hair styles in their paintings were 'Unzen-muri', 'Zokkjin-muri', 'Taen-muri', and 'Tre-muri', 'Unzen-muri' for young and married women who liked to follow the vogue, 'Zokkjin-muri' for old and lower classified women, 'Taen-muri' which was added by 'Darea' for fashionable and rich 'Kiesangs'(It is supposed to be popular for married women of 'Yang-bad who were kinds of higher class.), and 'Taen-muri' for unmarried women. In the case of 'headgear' which were sorts of items of hair-cordinators, 'Jang-ot' and 'Sgae-chima' were used regardless of class or wealth. Also, we can feel affection and love of laster Chosun's women for hair styles by 'Chak' and 'Jounrno' that were popular for a short time.