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A Study on the Artistic Representation of the Cellular-Phone Addiction and the Personal Data Leakage of Modern Society

원문정보

초록

영어

Although the development of digital technology and network has brought great convenience in modern lives, amongst the aggravated complexity in the contemporary society, modern minds who have failed to create genuine relationships undergo a sense of alienation and solitude that may appear as a type of social pathology called cellular-phone addiction. Also, while the emergence of the information age seemingly brings about benefits including diverse acquisition regarding knowledge and broader communication, underneath exists side effects involving leakage of private information. Especially, being excessively addicted to relationship network may induce one to become insensitive towards leakage of private information without recognizing, and thereby instigating yet another social problem. Media art is very practical in terms of suggesting a critical perspective concerning social phenomena and elevating them into a work of art by rendering them artistically. Particularly, when social problems of the modern days are expressed through digital technology, media art provides the audience with a foundation that will enable them to sympathize without hostility. This dissertation calls attention to the contemporary problems regarding cellular-phone addiction and possible hazards of information leakage based on media art, while at the same time proposing the production process of a media art work that attempts to raise awareness and sympathy on such social issues.

목차

Abstract
 1. Introduction
 2. Study Background
  2. 1 Cellular-Phone Addiction of Modern People
  2. 2 Information Society and Personal Information Leakage
  2. 3 Communication and Expressing Method of Modern People
 3. The Process for Work Realization
 4. Work Introduction
  4. 1 Work’s Initial Screen and the Representation Regarding Audience Access
  4. 2 Representation Change Regarding Audience Increase
  4. 3 Messages Sent After the Exhibition
 5. Conclusion
 References

저자정보

  • Joohun Lee Dong-Ah Institute of Media & Art, Seoul, Korea
  • Jiseon Baek Dong-Ah Institute of Media & Art, Seoul, Korea

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