earticle

영어

Mi-Am Yu Hee Choon (1513~1577) considered poetry as a part of his life. Therefore, this writer specifically focused on Mi-Am Yu Hee Choon's Chinese poems. The following is the conclusion from the materials discussed in this article. Mi-Am tried to understand literature in ethical perspective. The number of Chinese poems composed by Mi-Am is estimated to be about 300, and the number of pieces that this writer could find was 285. Also, Mi-Am took poem composition seriously, and put emphasis on content more than structure. Among Go Shi, Yul Shi, and Jul gu, Jul gu (especially Chil Un) is the largest in quantity, and it is presumed that he preferred Chil(seven) Un over Oh(five) Un. With regards to Go Shi, there are relatively many Jeon-Go. With regards to Jul gu, which was a poetry composing structure that Mi-Am could make the best use of, they were mostly about the daily lives. And with regards to Yul Shi, there were many poems that expressed his feelings about the real world and self-examination. Mi-Am's poems can be categorized into ones that he wrote when he was on exile, and ones that he wrote while serving for the king again after he got released from exile. During the exile period, self-discipline through learning, friendship, and love for the people were the main themes of his poems, and after being released and started serving for the king again, his poems were mostly about loyalty to the king, interaction with acquaintances, emotions, ancestor worship, self-examination, and conjugal affection through literary communion. Among Mi-Am's poems, there are many that have EumㆍSongㆍCha Un included in their titles, and the mainstream of his poems were related to daily lives or experiences. Also, most of them naturally and calmly expressed the fact itself without exaggerating. Mi-Am considered poetry as a part of his life and the fact that he practiced literary communion with his wife by writing poems about the ordinary things happened between him and his wife, Song Duk Bong, is worthy of notice.

한국어

眉巖 柳希春(1513~1577)은 시를 생활의 일부로 여겼다. 그러므로 필자는 미암 유희춘의 한시에 초점을 맞추어 살펴보았다. 본고에서 논의한 사항들을 종합하여 결론으로 삼으면 다음과 같다. 眉巖은 문학을 載道的관점에서 이해하려고 하였다. 眉巖의 한시는 현재 300여수로 추산되는데, 필자가 파악한 작품은 285수이다. 그리고 眉巖은 진지한 자세로 作詩에 임했으며, 형식보다는 내용을 중시하였다. 古詩ㆍ律詩ㆍ絶句가운데 絶句(특히 七言)가 가장 많으며, 五言보다 七 言을 더 선호한 것으로 보인다. 古詩의 경우, 典故가 비교적 많은 편이 다. 絶句는 眉巖이 가장 능했던 詩體로, 주로 생활과 관련된 내용들이 주류를 이루고 있다. 그리고 律詩는 자기성찰이나 현실세계에 대한 자 신의 심정을 표출한 내용의 시들이 많다. 眉巖의 시는 유배기와 해배ㆍ복관 이후기로 나눌 수 있다. 유배기는 학문 연마를 통한 自己修養, 友情, 愛民등으로, 해배ㆍ복관 이후기는 忠 君, 知人들과의 교유, 感懷, 崇祖尙門, 自己省察, 문학적 교감을 통한 夫 婦愛등으로 나눌 수 있다. 眉巖의 시는 詩題에 吟ㆍ送ㆍ次韻등이 붙은 작품이 많으며, 일상생 활이나 체험사실 등과 관련된 시들이 주류를 이루고 있다. 그리고 태반 은 담담하게 사실 그대로를 자연스럽게 표현하고 있다. 眉巖은 시를 생활의 일부로 여겼으며, 부인 송덕봉과 일상생활에서 겪었던 일을 시로써 수창하며 서로 문학적 교감을 하였다는 점에서 주 목할 만하다.