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『톰 아저씨의 오두막』에 재현된 노예 및 여성 이미지 연구 — 엠블럼, 삽화, 조각의 예술 매체를 중심으로

원문정보

A Study of Visual Image of Slaves and Women in Uncle Tom’s Cabin through Emblem, Illustration, and Sculpture

추재욱

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초록

영어

It is interesting that some connections can be found between literary images in Uncle Tom’s Cabin and visual images of emblem, illustration, and sculpture which are associated with angels, goddess, Jesus, and shackled male or female slaves. The visual images in which black slaves like Tom supplicate freedom or emancipation from the whites, were popularized in the early and mid-19th century, and the images strongly influenced the expansion of slave emancipation movement. Undergoing the abolitionist movement, intriguingly, the women began to realize that they were simply like white domestic slaves. Consequently, it turns out that the movement played an important bridging role in enabling the women to regain their voices in the subsequent women's rights movement. For the purpose of this study, this paper is to deal with three ways. First, a history of the slavery emblem has been briefly reviewed, and then, an investigation has been made, using visual images like emblem and illustration in Uncle Tom’s Cabin, to know how Eva is represented as a religious and abolitionist symbol and how Tom is represented as a symbol of martyr and Jesus. Finally, a study of sculptures of Hiram Power’s and Howard Roberts’ has been made to reveal the relationship between women’s anti-slavery movement and women’s emancipation movement. Broadly speaking, this study is an intertextual and interdisciplinary research to investigate how literature and visual arts are interlinked and interconnected.

목차

I. 서론
 II. 본론
  1. 엠블럼의 시작과 노예해방 운동
  2. 여신의 구원의 상징성: 에바의 이미지
  3. 사랑과 질서: 예수와 링컨의 이미지
  4. 노예해방운동과 그 반향: 새로운 여성 이미지 재현
 III. 결론
 인용문헌
 Abstract

저자정보

  • 추재욱 Jae-uk Choo. Chung-Ang University

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