원문정보
초록
영어
With the formative beauty of hangeul (Korean alphabet) and color of William Morris' design as motives, this study attempted to express intrinsic aesthetic beauty by maintaining the formative beauty of Korean alphabet and applying human emotions which can be felt when Korean alphabet is reminded of and its formative beauty to various nail designs. Focusing on the handicraft aspect of nail art and William Morris' arts & crafts movement, the colors applied to the designs he created during his happiest days of his life such as checked patterns and daisy among a great number of his designs were derived. For Korean alphabet design, 'happiness', 'flower', 'love', 'Korean alphabet' and 'hunminjeongeum (ancient Korean alphabet)' were randomly named. In addition, calligraphy which can enhance the formative value of Korean alphabet was applied with modern senses. In addition, the novelty of design and creative formative beauty of Korean alphabet were promoted in nail design by applying 'Happiness (by Cham Art Gallery in Daejeon)' and 'Flower (by Kang Byeong-gyu)' to the design. First, to enhance the accuracy of the colors applied to design after using the three-leaf clover as a symbol of happiness, 'L*a*b*' colors were derived, and 'Happiness' written in calligraphy and clover leaves were designed. After applying hand printing with acrylic colors and using parts and acrylic powder in similar color, ornamentation was emphasized with 3D flower decoration. As a result, warmness and happiness which can be felt from the vocabulary of 'happiness; were contained in the design. Second, William Morris' 'Daisy' and Kang Byeong-gyu's 'Flower' were chosen for Korean alphabet design. Using the colors derived from the designs, water-decal flowers were designed on hanji (traditional Korean paper) for background. Then, a flower was designed with acrylic colors, and it was put in the middle of the Korean alphabet 'Kkot'. Third, using the colors derived from William Morris' 'Pomegranate' and design factor of Korean alphabet 'Sarang', Korean nature was designed on hanji with naturally dried greens for background. Then, using passionate red fruits which symbolize 'love', gorgeous parts and colored jewels, it was tried to express the innocence and passion of love. Fourth, the emblem of the Kelmscott Press, a publishing company founded by William Morris in his later years, and Korean type widely used in wood printing and type printing were used. After applying a block book to the design and using the derived colors, a pattern of vine which can be found in Korean traditional patterns as well was applied with acrylic colors for background. After spraying white opal-colored powders, stones were gently laid. Fifth, using the colors derived from William Morris' Acanthus (1874), hunminjeongeum with a scientific and formative beauty was expressed on hanji. Then, the beautiful nature of Korea including sea, river, mountain and trees were created using mother-of-pearl powder. This study intended to expand the scope of expression in nail design in expressing colors, quality of material and shape using diverse techniques and materials. Even though the trendy and artistic beauty of nail design has been recognized, there should be continued studies on new academic and creative nail art designs which haven't been handled in this study for a further development of nail art. This study is meaningful in that it suggested the value of Korean alphabet for nail art by expanding its formative excellence and diversity through a study on the development of nail design after analyzing the formative beauty of Korean alphabet. It is expected that the study results would be available as basic data for theoretical design in nail art and academic resources for nail design by providing nail art design cases.
한국어
본 연구는 한글의 조형성과 윌리엄 모리스 작품의 컬러를 모티브로 하여 전문 서적 및 문헌, 자료와 선행 연구를 이론적 고찰 하고 네일아트를 디자인 하고 작품을 제작하였다. 네일아트의 수공예적인 부분과 윌리엄 모리스가 수공예를 중시 했던 것에 맥락을 두고 윌리엄 모리스를 선택하였다. 윌리엄 모리스가 가장 행복했다는 시기에 처음으로 디자인한 벽지 격자무늬와 데이지 등의 작품에 적용된 컬러를 도출하고 한글 디자인은 본 연구자의 주관으로 행복, 꽃, 사랑, 한글, 훈민정음으로 명하였다. 현대적인 감각으로 한글의 조형적 가치를 한층 높일 수 있는 캘리그라피의 서체로 대전 참 아트 갤러 리 작품인 ‘행복’과 강병규 작품의 ‘꽃’ 의 글체를 적용하여 디자인에 참신함을 꾀하고 한글의 창의적 인 조형성을 네일 디자인으로 전개함으로서 내재된 심미적 아름다움을 디자인으로 표현하여 제작 하 고자하였다. 작품에 적용된 기법과 재료를 통하여 다양한 방향성을 색채, 질감, 형태 등 작품으로 표현함에 있어서 네일 디자인의 표현영역을 확장하는 계기를 제공하고자 노력하였고 트렌드하고 예술적인 아름다움 을 충분히 인정받고 있으나 학문적인 깊이가 적은 네일아트 분야가 앞으로 더욱 발전하기 위해 본 연 구에서 다루지 못한 영역의 새로운 학문적인 디자인과 표현력을 발전시킨 창의적인 네일아트 디자인 후속 논문이 끊임없이 나오기를 기대한다. 본 연구가 한글의 조형적 분석을 통한 네일아트 디자인 개발에 관한 연구를 통해 한글의 조형적 우수 성과 다양성을 확대함으로서 한글의 위대한 문화유산을 네일아트 디자인으로서의 충분이 아름다운 디자인의 가능성을 제시하는데 그 의미를 두고 앞으로 본 연구가 네일 아티스트 및 네일 관련 연구자 들에게 네일 아트의 이론적인 디자인발상에 적용할 수 있는 기초 자료로 네일아트 디자인의 사례를 제공하여 네일 디자인의 학술 자료로 활용될 것으로 생각한다.
목차
Ⅰ. 서론
Ⅱ. 이론적 배경
1. 한글의 기본이념과 정체성
2. 윌리엄 모리스의 작품의 형성 배경
3. 윌리엄 모리스의 응용 사례
4. 캘리그라피(Calligraphy)
5. 네일아트
Ⅲ. 작품제작 및 해설
1. 디자인의도 및 제작 방법
2. 작품 디자인 프로세스
3. 완성 작품 해설
Ⅳ. 결론
<참고문헌>
ABSTRACT