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太宰の後期文学における祈り - 「父」と「桜桃」を中心に -

원문정보

The prayer in the late literature of Dazai -At the center and 「father」 and 「cherry」-

金柰炅

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초록

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In this paper, the 「father」 and 「cherry」 was investigated in the Father, and the 1947 work 「cherry」 is a 1948 work of this study to compare the two works by Osamu Dazai looked at what that says. The hero of two works, 「father」 is a novelist. Novels do not care much at all unsold household work and care for children, do not care to be only only only interested in drinking and women. Their interest in such places to go “reason” and “the other person's stomach will align” their utmost “service” to think is called also the “mother” role as a mother trying as much as possible, but “tears”, but not happy to be living faded does, however, seeing this Dazai, who wrote before he died. “Longer Human” and about the same time, rather than written history as the “new” thing was not whether to pursue that thought is the work. “waiting” for the work in 1942 works published in the paper, and hope to the end of the war as 「father」 and 「cherry」, as the authors compared the results of the study think that the work green's life was as an artist beyond the agony and anguish sometimes “stubborn” also Beak. then become an artist, hoping to think of this paper was to wait.

목차

1. はじめに
 2. 《義》と《機嫌》に拘っている父像
 3. 《涙》の家内像
 4. 《意地》の向こう
 5.おわりに
 参考文献
 논문초록

저자정보

  • 金柰炅 김나경. 仁濟大学校 日語日文学科 非常勤講師

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