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영어

This article appeared in the 1950s, postwar Korean poetry at the ruinsconsciousness of the natural aspects looked at in relation. At this time,Nature is impression and praise, but the violence of the times, or issubject to one Sense of barrenness and relevant. Park, In-Hwan after the war, based on the real experience of naturedeficiency is presented, and The ‘life’and ‘death’shows. It appears tohave anticipated anxiety. To protect themselves psychologically‘ defensemechanisms’are trying to find. Destroyed according to the routineaspects of the poetic subject shows their fear. Poetry of his Incompetenceand absence lack of target,‘ Impractical’and‘ despair’is represented. Kim Soo-Young a ‘routine’in the symbolic life tragically repressednatural systems is presented. In the history of disturbing the normalgrieving, he appears between depression status and experience wereimplemented image. Fatigue and boredom in his poetry the tragic targettired of the subject and the‘ depressed’and‘ helplessness’in the face isrepresented by aspects. It is a new subject is like trying to find a sense oftime. Historical situations and case he witnessed in the work of theunconscious is revealed. But, Awareness of the target at different layers are oriented than the new awareness. Jeon Bong-Geon is war experience of‘ Birthplace’image, the meaningof the existential nature dealt with. Poetic subject he says the state ishurled into a deserted area, and ‘Alienation’and ‘irrelevant’ to theexperience. However, the reality of the self, and a glimpse of cleavage islikely to recover. Also, after originating in the ruins of the power ofsensual pain and wound healing, and tried to overcome. Since the 1950s,according to the explicit intention to visualize the before and afterexperience of critical self-consciousness to overcome the resistance wastransformed into sensory oriented. Poet of the above three people went through the experience of war andthe nature of the metaphorical or symbolic representation technique was. The poet’s imagination, combined with conscious and unconscious isprojected on the image. Repressed unconscious due to the reality andneeds of divided self ventilation, natural transition is revealed in theimage intact.