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1950-60년대 전북영화사 - 한국영화, 그 고향을 찾아서 -

원문정보

The history of JeonBuk cinema in the 1950~60s - Korean cinema, looking for its hometown -

김건, 김용

전북사학회 전북사학 제43호 2013.10 pp.299-328
피인용수 : 0(자료제공 : 네이버학술정보)

초록

영어

The birth of realism in Korean cinema of the 1950s and the rising of cinema movement based on literature in the 1960s led to the first renaissance in the Korean cinema history. In this situation, Jeonlabuk-do, especially Jeonju-city, occupied a special place in Korean film industry of the 1950s. Jeonju is a place in which not only the major works in Korean Cinema history, such as Gang-Cheon Lee's masterpiece (1954), (1955), are produced, but also the first 16mm colour film, (1957) as well. In the 50~60s, moreover, the majority of Korean cinema were made by filmmakers coming from Jeonlabuk-do, and also was mostly shot there. There are plenty of papers and books on Korean cinema history today, but, in fact, there has only few studies on the local film history. While investigating situation of the 50~60s at Jeonju, Jeonlabuk-do as a mecca for Korean film industry, the study examines the works of the filmmakers working there, especially the director Gang-Cheon Lee. Even though filmmakers coming from Jeonbuk left an indelible footprint in Korean film history, taking the lead in the Korean cinema renaissance of the 1950~60s, but they have underestimated due to the shift in the center of its activity to Seoul. It is very important that the cinema of Jeonbuk should receive credit for its role in Korean cinema history, and for that, to restore its originality and succeed to its legitimacy.

목차

I. 머리말
 II. 해방과 전쟁의 소용돌이 속의 전북영화
 III. 전북에서 컬러영화 시작과 전북영화인의 활동
 IV. 반공정서를 타고 달리는 흥행가도 : <아리랑>과 <피아골>
 V. 맺음말
 ABSTRACT
 참고문헌

저자정보

  • 김건 Kim, Geon. 전북대 연구교수
  • 김용 Kim, Yong. 전북대 문헌정보학과 교수

참고문헌

자료제공 : 네이버학술정보

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