This study was aim to capture essence of ‘juvenile narrative’ in view of family romance. Family Romance was devided to style of foundling foster child as escape-character and style of illegitimate child as struggle-character. I selected We Gi-Cheol's When I turned nine and Kim Won-il's he House which has a deep yard as text in this study. We Gi-Cheol represented first-person protagonist, Baik Yeo-min got along 1960s in view of 1990s in When I turned nine. Yeo-min will be foundling foster child in forest beneath mountain to escape foulness of life. Kim Won-il depicted a 13-year-old hero, Gil-nam was struggling to be home master right after Korean War in view of 1980s in The House which has a deep yard. Gil-nam will be illegitimate child through right after Korean War against life without father. In this viewpoint, I concluded this two ‘juvenile narrative’, When I turned nine and The House which has a deep yard revealed archetype of family romance.
2. 90년대에서 60년대 들여다 보기 ; 업둥이의 세상
3. 80년대에서 50년대 들여다 보기 ; 사생아의 세상