원문정보
Aesthetic Shaping And The Logic Of Self-salvation Of Lee Hyo-seok’s Literature
초록
영어
Aesthetic Shaping And The Logic Of Self-salvation Of Lee Hyo-seok’s Literature Seo, Se-rim I contemplated the matter of beauty and art which is one of the most important point of the Lee Hyo-seok’s literature interpretation. At the end of the Japanese imperial colonial era, he tried to dream by literature. And the expedient of the dream was concern and passion for the beauty and the art. Therefore the beauty and the art was the power source for him to became worldwide writer, transcend the limits of colonized country writer. He expressed strong desire for the universalism as his desire for the world wide literature. The universalism from Lee Hyo-seok’s literature was appeared the form as recognize each other’s homogeneity and approve their difference through commonness of aesthetic sensitivity and love for the beauty. He thirst for forever through the art and in this case the art is another name of the beauty. Suchlike the end of oriented point of the art, the European or the Harbin was there for symbol of western, meanwhile also exists Hanbok - Korean traditional dresses - or charms of women like beauties of Chosen could found out. Unique point of view of Lee Hyo-seok was these kind of beauties are not intent to exclude or elimination each other sides. We couldn’t state there was no vestige of depression of colonial regime in his works at all. Nonetheless his works were can not appraisal by dichotomy between resistance or co-operation. He want to propose how the way of live colonial reality by his unique aesthetic consciousness. Even in the colonial regime he tried to fertilize the culture expressed by a form such as seeking western culture and text, or eternal homesickness. He dreamed of esthetic restructure reality in those way, and that became a single important keyword of his works in the end of the Japanese imperial colonial era. Nowadays we therefore may look his unique and geistesgeschichte trace of a writer, dreamed of worldwide literature in the colonial reality.
목차
Ⅱ. 미학적으로 재구성되는 현실과 열린 공간의 노스탤지어
Ⅲ. 예술을 통한 자기 구원의 논리와 보편주의의 시각
Ⅳ. 결론
참고문헌
Abstract