원문정보
A Study on Storytelling Strategy of the movie Architecture 101
초록
영어
The movie「 Architecture 101」is the content, that changes used motive ‘first love’and the existing story to unfamiliar and makes new story. Especially it creates the other new myth of ‘first love’through demythological strategy breaking mythological image, that the existing motive‘ first love’showed. The movie makes use of used materials in TV drama 「Winter Sonata」, that has become to myth of ‘first love’story, successfully completed renovation storytelling with reasonable and rational perspectives to win sympathy from viewers, live in the demythological age of 21C, and with detail aesthetics of revisiting the past through filming recollections of the 1990s. The narrative strategies of this movie are a framed structures, no mythological structure of existing contents such as a structure for immersion, and the method of objectively keeping distance from the object. The movie 「Architecture 101」changes idealized fantastic characters of first love in the TV drama 「Winter Sonata」to realistic characters with materialistic and commercial characteristic. This movie describes spaces, comparing loving relationship to house building, above all, tacitly criticizes recognition of the people, who only pursue phenomenistic spaces, while drawing logical space story from a realistic viewpoint. For all that, this movie delivers a fantasy of consolation to the audience through the process of the characters’s self-reflection and Seo- Yeon’s house building like space of the womb. House building in Jeju Island become a new mythological image with collective unconscious of the people for audiences, who also desire the fantasy in the demythological age. The demythological strategy demonstrates a fiction and uniformity of the myth and makes to interpret the reality, but the movie「 Architecutre 101」do not maintain this strategy and finds out a popular point of compromise. That is, the movie renovates mythological image using the demythological strategy, ironically takes out new fantasy. This is the limit of commercial movie, and the renovation storytelling strategy, the movie of today points at the same time.
목차
2. 영화「건축학개론」의 스토리텔링 전략
1) 탈신화적 내러티브
2) 로고스적 공간
3) 운명론의 해체와 현실 미학
3. 탈신화적‘ 리노베이션’전략과 한계 또는 지향점
4. 나오며
참고문헌
Abstract
