원문정보
A Study on the Home Cognition of Cho, Byung-hwa's Poetry in his Latter Period ― focusing on the 45th collection 『Having a person yearned for is』
초록
영어
This study focuses on the attitude toward death and destiny of existence filled by ‘home cognition’ emphasizing the return to the home in Cho, Byung-hwa's latter period. His cognition of ‘a gaze at death and destiny’ has a unique characteristic across the Korean modern-style history of poetry about the home cognition. Before, the home cognition in Korean modern-style poems has dominantly related to the space cognition of desire for rural districts or rise above the world. The cognition was presented in the desperate poetic way with desire for recovery of their home, which is for making their national consciousness independent in the era of loss. From the view of the overall history of poetry, the home cognition in Cho, Byung-hwa's latter poems deserves to take notice in that his poems have consciousness of ‘a gaze at death and destiny of existence.’ In general, a poet’s creative sprit comes from his origin. The individual origin, which is referred as ‘home’, is indeed the root of the imaginative faculty and the poet operates his home as a power plant of imagination. In this plant, the poet merges his view of the world, the poetic speculation and consciousness of existence. The explosive energy of the inspiration from the merged complex becomes the poet’s consciousness for creation. Cho, Byung-hwa tells ‘existence and solitude’ and ‘eternity and daily’ as topics across his poems from the first collection
목차
2. ‘假宿’에서 ‘原宿’으로의 고향의식
3. 절대허무에서 무욕의 자연으로의 고향의식
4. 맺음말
참고문헌
Abstract