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This paper starts from the question of the formation process for modern poetry in Korea. We tried to clarify the relationship between Sowol’s ballad poet and Seodo ballad in order to find the evidence that the modern poetry in Korea occurred spontaneously, beyond the traditional approach of acceptance and transplantation of foreign literature in this paper. Korean poetry after modernization was estimated to the stylish modern poetry in 1920s throughout Changa or Sinchaesi. Choi Nam Sean’s Sinchasi accepted Japan’s movement of Sinchaesi to domestic. Kim Eak and Ju Yo Han accepted French Symbolism poetry and inaugurate a new poetry way. These statements seems to be reasonable in terms of formal logic. These claims is that they get the new format to Korean sentiment. Recently, aside from these discussions, researchers who study Korean ballad and traditional music have found the influence of ballad in the poetry of Kim Sowol and Ju Yo Han. The selfdevelopment in formation of Korean modern poetry was in progress throughout utilization and transformation of traditional ballad instead of transplantation for the poetry of the west or Japan. In this paper we investigate literary validity and academical development potential for their claims based on papers and texts proposed by researchers who studied Korean ballad after 2010. Especially Jeon Young Ju’s paper entitled “relationship between Ju Yo Han’s Bulnori and Susimga ed., Hankuk Eumbanhak, vol. 20, 2010” requires attention because she explains the relationship between Ju Yo Han’s Bulnori and traditional ballad that existing criticism has ignored. Therefore we investigated the principle of creation and narrative style for Seodosory and Bulnori based on Changakjipseong edited by literary critic, Ha Eung Baek. In this paper, we tried to probe that Kim Sowol’s masterpiece, 「Azaleas」was transfiguration of Seodo ballad, and 「Mother and syster」was effected by . Also we tried to examine closely that his 「Money, mind, rice and field」utilized and 「Money song」was exquisite reborn of . Study on Sowol’s poetry is ongoing to continue. However the concrete and empirical research why Sowol was called as a ballad poet at that time and comparative study between that time’s ballad and Sowol’s poetry were not explored field comparatively. Therefore we drew a comparison between traditional ballad, mainly Seodosori and Sowol’s poetry based on the research results for ballad and traditional music, specifically in terms of morphological point of view. Besides it, much part of Sowol’s poetry is expected to have close correlation with Seodo ballad. If this study is to be earnest. it is needed to comparative study with Pyungan-do ballad at that times. However we left it as a follow-up study. Therefore we remark our research is starting studies in order to elucidate the correlation in earnest between Sowol’s poetry and ballad. If this study enlarges from simple morphological comparison to several points of view such as theme of poetry, principle of creation, functional concernment of Sowol’s life and so on, the true acquaintance of Sowol’s poetry can be revealed. Also it can be empirically reveal the functional influence with traditional ballad at the start of our modern poetry.