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The aim of this article is to re-read the famous antiwar-film All Quiet on the Western Front(1930) on the historical context of the Weimar Republic of Germany. According to Benjamin Schröder, the powerful political myths in relating to the First World War Should be the main key with which the antiwarism of this historical film could be explained clearly, that is, war enthusiasm, war heroism, Dolchstosslegende. It is truthworthy that a film text should be analysed on the historical context that the film was produced and seen in the theaters. Chapter Two sheds new lights on the war enthusiam myth through the lens of a student soldier Paul Bäumer. As a result, the film argued that the war enthusiasm was only the construct of the political propaganda from the German military commander and the right newspapers. Chapter Three reveals out the reality of the war heroism myth, so that it was very different from the scenery that the German military commander and the right newspapers fabricated and reported. In particular, the so-called Langemarck myth was totally a forged document, according to the real appearance of the war that Paul witnessed. Chapter Four illuminates the question why the German army was finally defeated. Many consevativist personnel such as Hindenburg asserted after the war that the main cause of the German defeat should be brought out not from the inferiority of the German army power, but from the anti-German betrayals of the left political parties and peace movement activists. But Paul was sure that the German army should be defeated distinctly because of much misjudgements and failures of the German mitary commander and the inferior military strength. In Conclusion, the film All Quiet on the Western Front(1930) was one of the very parodixical antiwar films. The film declared that the story should be neither an accusation nor a confession. But the main actor Paul argued severly against the pro-war conservative powers, and he confessed that the important things should be not war, death and hatred, but peace, life and love. In this vein, the last parts of this anti war film can be reread as a soundless requiem for milions of the nameless fallen soldiers in the First World War.