기획특집 2 : 무등산권 무속신앙

무등산권 무속의례 연행에 대한 서사적 이해 - 굿의례를 중심으로


Study on the narrative understanding performance of shaman ritual in Mu-deung mountain area


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This paper is to summarize in results of 12 “Gut”(shaman ritual) that had performed from July 2008 to June 2010 in the town of Mu-deung moutain area. There are three types of 12 Guts as follows. First, There are many same feature in contents with “Ssitgim-Gut” as a traditional hereditary shaman Gut. These types of Gut are Yi-sangjo's and Yi-jangdan/Yu-samrye's. Second, hereditary shaman and spiritualistic shaman go in couples to perform ritual Gut. These types of Gut are Yi-gyonghwa and Yi-jangdan's, Naerim gut, Yi-jeongnim and Yi-jangdan's Naerim gut, Kim-gyeonghui and Yi-jangdan's Dongto gut, Kang“bosal”'s Gut, Kim-youngju and Yi-jangdan's Mangjahonsa gut, Yu-inseon's Jaesu gut. Third, spiritualistic shaman with “bubsa” play a gut in the structure of standing-gut and sitting-gut. These types of Gut are just the two ongoing small gut, An-huijeong's Jaesu gut, Kim bosal's Jaesu gut, Yi bosal's Cheonjon gut, Yi-doyun's “Hongsu magi” In this article, one by one, each individual rituals of Gut complete the story of an independent unit which is considered a narrative text, shamanism individual religious belief system is structured as a system of generalizations that can be oriented and availability. Typically faith shamanism configuration from any person during the course of individual lives which are difficult to solve real-world challenges meet, and the occult, or visit them to meet shaman who comes from having to attempt to resolve. The occurrence of any personal psychic to meet the problem of identification of problems and go the course of this problem (as shaman) to select the primary way to resolve it Gut. The process of this sort of belief system configuration shamanism epic performance at the same time reveals a structure that holds them. Shaman rituals entire narrative structure of the faith to resolve issues in a series of steps corresponding to the larger body of the narrative as a form of ritual that can be viewed collectively. The narrative point of interest related performance and shaman correlation between story and the sponsors and the formation process, the client's real problem is the content of the resolved. And the narrative is related Shaman that are “bubsa”, “bosal”, and “aksa”(musician). Their stories are related of their lives. Way of narrative representation and narrative contained in the “mu-ga” and ritual of gut through the configuration of the public and emotional characteristics inherent in the city of Gwang-ju


Ⅰ. 무속(굿) 의례의 도시적 양상
 Ⅱ. 무등산권 굿 의례 연행에 대한 서사적 접근
 Ⅲ. 무등산권 굿 의례 연행의 전반적인 개관
  1. 조사된 굿 의례들(2008.7∼2009.6 조사. 아래 순서는 조사일자 기준)
  2. 개별 굿 연행 개관
 Ⅳ. 굿 의례의 연행과 서사들
  1. 서사적 이해의 지점들
  2. 굿의 서사와 무(巫)의 이야기들
 Ⅴ. 나오며


  • 송병삼 Song, byeong-sam. 전남대학교


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