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영어

This research paper is to study characteristics and aspects of female main characters in literary works by Miyamoto Yuriko, through characters representing Nobuko and Hiroko. It is so because this paper intended to find out whether literary works by Miyamoto Yuriko pursue feminism, and make the specific analysis of features of novel that a female appears as the main character. In this regard, this research paper examined the status of each female main character appearing in 『Nobuko』, 『Do-Pyo』, 『Ban-Shu.Heya』. The female characters in the three works have the trait in common that they view the world not feeling frustrated in the male-dominated society, in the first place, and they dont' try to internalize viewpoints from males, and instead, look themselves into mirror and reflect who and what they are, in the second place, and the female main characters have the bi-sexual characteristics, as are described by narrators. These three works appear to depict that males are beaten by females, on the first surface. But, it is deemed that considering females cannot exist in the space where males don't exist, these three works place the focus on blocking sexual difference. The Literary work world by Miyamoto Yuriko that portrays females as main characters and does not highlight females, too much, is expected to secure the position in the Japanese modern literature history, in the sense that her literary works are obviously different from feminism-based novels, which portray females as main characters and don't highlight males.

일본어

この論は、宮本百合子文学の女主人公の位相について捉え返してみて、表現のレベルで彼女の文学の特徴について考えることを目論んでいる。伸子やひろ子と表象されるヒロインたちは、フェミニズム文学と読まれてきた百合子文学の内実をより鮮明にしてくれるはずである。󰡔伸子󰡕、󰡔道標󰡕、󰡔播州平野󰡕の三つの作品を対象にして、それぞれの主人公の位相を分析した結果、つぎのようなことが言えるのではないか、と考える。彼女たちに共通する特徴とは、一つ目に、男性中心の社会において怖じることなく＜見る者＞であったこと、二つ目に、男性の視線を内面化しないで、その代わり自ずから自己を＜見る者＞であること、そして最後に、語りの方法からわかるように中性的な語り手であることである。つまり、百合子文学は、男性が不在する空間なのであり、女性の勝ち気な攻めが効く世界でる。男性を不在させる方法は、最初から性というものを無効にしてしまうような、方法なのである。