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논문검색

한국

공공미술로서의 지역 만들기와 예술촌의 역할

원문정보

Community Making as Public Art and Role of Artist Village

손은하

피인용수 : 0(자료제공 : 네이버학술정보)

초록

영어

How has been used the concept of ‘publicness’ in the domestic public art? This concept of ‘publicness’ can be divided into three categories in the social science. The first one is the value of the public, the second one is the territory, and finally the subject performing its role. The meaning of the territory has something in common with public space. When the arts came out of the exhibition hall and was placed on the public space, it was affected by the mass and place. When the initial types of the arts were displayed, it brought about disputes with various points of publicness. It caused the necessity to pay attention on the concept “in-between” of Hannah Arendt. Not confronting between personal and public territory, you need to pay attention to the various communication opportunities maintaining the relationship while they are crossing their borders each other. Variability of view points has been formed and progressed since the formation of New Genre Public Art as social movements. However, it still have been causing confusion as the public art is explained as site-specific -art and community-oriented-art. Recently, the public art can be divided into three types: public arts, village regeneration, artist village. Each type has its own advantages and disadvantages and this study investigated the ‘Seoul Art Space Sin-dang’ as the third one. This one also is in need of artists' labor by the explanation through community-oriented-art's viewpoints. Therefore, it is necessary to differentiate in separate areas of the public arts.

목차

Ⅰ. 들어가며
 Ⅱ. 공공성과 공공 공간
  1. 공공성과 공공 공간의 의미
  2. 예술에 있어서 공공성과 공공 공간
 Ⅲ. 공공 미술의 전개
 Ⅳ. 현 한국의 예술을 통한 지역 만들기 유형
 Ⅴ. 창작 예술촌과 그 역할
 Ⅵ. 나가며
 참고문헌
 논문초록

저자정보

  • 손은하 Son, Eun-Ha. 부산대학교 한국민족문화연구소 HK연구교수

참고문헌

자료제공 : 네이버학술정보

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