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Abstract
Introduction
Can the history of Korean and Japanese music be catalogued?
What kind of methodology is employed to divide Japanese music into distinct historical periods?
First period: primitive music
Korean primitive music
Second period: ancient music(Acceptance of Central Asia music)
Third period: medieval music(court music)
Fourth period: early modern music(literati and samurai-sponsored music)
The Literati of Korea and Samurai of Japan
The literati music period of Korea
Yangban of Korea
Samurai of Japan
The four social stratifications of Japanese society
Samurai-sponsored music
Fifth period: modern music(popular music)
The renaissance of popular music in Korea
Public life in Choson
T'alch'um as a means to promote merriment in the marketplace
The renaissance of popular music in Japan
Sixth period: contemporary music (acceptance of European classical music)
Contemporary music in Japan
Contemporary music in Korea
Conclusion
Bibliography
Introduction
Can the history of Korean and Japanese music be catalogued?
What kind of methodology is employed to divide Japanese music into distinct historical periods?
First period: primitive music
Korean primitive music
Second period: ancient music(Acceptance of Central Asia music)
Third period: medieval music(court music)
Fourth period: early modern music(literati and samurai-sponsored music)
The Literati of Korea and Samurai of Japan
The literati music period of Korea
Yangban of Korea
Samurai of Japan
The four social stratifications of Japanese society
Samurai-sponsored music
Fifth period: modern music(popular music)
The renaissance of popular music in Korea
Public life in Choson
T'alch'um as a means to promote merriment in the marketplace
The renaissance of popular music in Japan
Sixth period: contemporary music (acceptance of European classical music)
Contemporary music in Japan
Contemporary music in Korea
Conclusion
Bibliography
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