earticle

영어

This study intend to recognize how Daniel Libeskind’s background have an effect in the formation of architectural ideology. In the study, it analyzes the architectural ideology appearing in the space configuration mainly on his early works. The result can be summarized as follows. At First, formation of architectural ideology such as abstractness in absent-space and historicity in symbolic space is influenced the trauma of the Jewish community who experienced the Holocaust and wandered the world to find the place to settle after Second World War. Second, the influence of the music is represented in the hybrid tendency of his design. Third, his special background and ideology are expressed by the technique of deconstruction from the space perception in the drawing of irregular and dynamic lines to various space configurations trying to experimental architecture. As a result, links between the architectural ideology and background affect very complicatedly. the historicity, connectivity, continuity and abstractness in his works involve growth background as the Jew and academic background as the musician. That is invisible, but confirmed though the arrangement, the flow, the axis and the section of his main works.

한국어

본 연구는 단순히 해체주의의 미학적 해석에 기반을 둔 개념적 이해가 아니라 다니엘 리베스킨트 건축의 공간 구성에서 나타나는 건축이념을 분석함으로써 물리적 형태구성과 건축이념과의 관련성을 살피고, 리베스킨트의 건축적 배경이 건축이념 형성에 미친 영향을 파악하고자 하였다.