earticle

영어

This study has reviewed various discussions of Jeong Ji-yong’s poems based on the each work analyses, and the outcomes are as follows. Jeong Ji-yong’s poems discussed are confined to his major works such as “Hyangsoo”(homesickness), “Yoorichang1”(window1), “Bada2”(sea2), and “Bee”(rain). The works that still remain controversial are “Bada2” and “Yooseonaesang”(sorrow for streamline shape). The former’s issue is that which one the subject of the second half of the poem is, sea or speaker. The latter’s issue is on the object of the poem, which can be analyzed diversely from duck to car. The poems that the arguments more advanced are “Yoorichang1”, “Mal”(horse), and “Dogoul”(digging out by stealth). Jeong Ji-yong’s representative work “Yoorichang1” was analyzed by Oh Se-young and Lee Nam-ho in terms of content structure. When it comes to “Mal” and “Dogoul”, Lee Eo-ryoung and Kim Seung-jong's analysises are significant, respectively. The analytical levels of Jeong Ji-yong’s poems are not qualitatively advanced considering its enormous quantity, and so do his major works. This study suggests a desirable direction for work analysis as follows: analyzing the content structure minutely, reading the very core closely, and interpreting poetic form structurally. The significance of this study is that from the review of work discussions, it serves as a touchstone for poem analysis. For this, this study should be expanded to cover the diverse interpretations about meaningful elements or segments, which is a limit of this study.