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1930년대 후반 유치진의 관객지향성 연극 연구- 「소」, 「마의태자」, 「자매1」을 중심으로 -

원문정보

Study on Yu Chijin’s play consider an audience’s in late 1930’s- Concentrating on 「Cow」, 「Prince Maeui」, 「Sister-1」 -

조정희

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영어

Study on Yu Chijin’s play consider an audience’s in late 1930’s- Concentrating on 「Cow」, 「Prince Maeui」, 「Sister-1」 - Cho Jung-hee This paper presents a facts that Yu chi-jin’s play consider an audience’s main concern first in late 1930’s. The studies varies from the earlier versions which emphasize his realism. Yu chi-jin’s play appears commonly a tendency to the general public play of research society of the dramatic art in the early 1930’s and a tendency to the realistic national play in 1940’s. Yu chi-jin’s play, Prince Maeui, Cow, Sisters-1, have a result is at the base of the audience’s main concern. The results are a change of material no rural problem, a choice of melodramatic elements and an expression of internal emotion. Even then, a tendency to the realistic national play in 1940’s, he is a player with a strong sense of vocation which emphasize the expression of audience’s main concern. Yu chi-jin considered that the point of plays is Audience.

목차

Ⅰ. 문제제기와 선행연구
 Ⅱ. 유치진의 관객지향적 연극론
 Ⅲ. 1930년대 후반 관객지향성 연극의 특징
  1. 초기극과 다른 제재상의 변화
  2. 멜로드라마적 요소의 부각
  3. 내면적 감정의 표출
 Ⅳ. 결론
 <참고문헌>
 【Abstract】

저자정보

  • 조정희 Cho Jung-hee. 부경대학교

참고문헌

자료제공 : 네이버학술정보

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