원문정보
Characteristics of Deconstruction in Architecture and Hair Designing
초록
영어
Modern society is directed form dualistic view of the world represented by modernistic uniformization, standardization, and uniformity leading the societies and philosophical ideology in the 20th century to pluralistic view of the world in which various diversities are mixed for complicated social structures and satisfaction of human desire. In the 21st century, especially, rapid spread of technological civilization with changes in social, philosophical foundation turned out to be new cultural phenomena emphasizing expression of images such as visual, emotional aspects. With post-modernism, deconstruction for pure art principle was circulated all around architects and designers to be applied and changed in various aspects beyond time and space.
Modes of deconstruction are being seen as complicated and genre-over methods of expression by using video and mass media in which various diversities are mixed for complicated social structures and satisfaction of human desire.
The purpose of this study is to identify characteristics of deconstructive expression as hair designing. Architecture and hair designing were compared and analyzed because the two are the representative plastic arts reflecting trends of philosophy and art in the era of architecture. Therefore the author purports to understand and analyze characteristics of deconstruction in which one structure is understood and standardized ones changed to be non-standardized ones centered on authenticity with analytic, critical, and deconstructive methods in modern hair designing.
The essence of designing is process of continuous changing. Deconstruction designing expressed in architecture and hair designing should not have limits in expression of forms in expression originality and artistry, need to give senses that are not go out of the sense of the times,not simple changes or manipulation of forms, and require coping with the flow of archtecture and hair designing susceptibly by widening the breadth of coaceptlon.
목차
I. 서론
1. 연구의 목적
2. 연구의 범위 및 방법
II. 이론적 배경
1. 해체주의 개념
2. 해체주의 형성 배경
3. 헤어디자인의 개념과 구성 요소
4. 헤어디자인의 시각적 표현기법
5. 건축에 표현된 해체적 특성
6. 헤어디자인에 표현된 해체적 특성
7. 건축과 헤어디자인의 상호관계 분석
III. 결론
참고문헌