원문정보
The Possibility of Poetic Language and Problem of Salvation in Lee, Seong-bok's Poetry - focusing on 『Ripple marks in the moon's forehead』
초록
영어
『Ripple marks in the moon's forehead』 was inspired from reading to writing poetry is destined to have a unique appearance. On the other hand, simply because of its morphological specificity in the instructions that only the type of poetry as this poetry has two qualities with the semantic differentiation implies naeyongjeok. This context the poet's words quoted above, the two married a few amenities that characterize the nature of the implications that can be obtained from poems. At this point, 『Ripple marks in the moon's forehead』 and 『Ah, what have not mouth』 published the same year the forehead 』 (literary and intellectual history, 2003, less 『mouth』, citing the city title as a serial number attached to marry daesinham) with the start of 10 years from breaking the silence on the fact that poetry is worth noting. Therefore, the poems of the poet, his poetry in that it shows the reason for the journey intact is its primary significance. In the two poems' write poetry 'and' when read 'the poet, not a separate objective of their' poetic reason "to deploy the process and are considered way. Therefore, "when read" and "write poetry" is not separated from each other the "poetic reason" that converge in the center of the concentric rings are pictured. It's' What is compassionate, there is no Iranian poet? "Is associated with the question of identity. Admitted to a desire to confirm his identity, where the origin is that. It is a notion at the time of the traditional face-to-be a challenge, that is, when the poet's own 'City of the expression crisis "arises from. The level of discourse and reason which dakchyeoohneun it 'The fundamental concept of crisis "that depends on the ability to bear can be seen. Therefore, the fundamental concepts and poetic strain of the crisis, a question of how the acceptance and processing to gauge the level of the city yiseongbok eventually become a barometer. Married with two crucial importance of two right here. Therefore, the 'City of expressions crisis' assertion that the meaning and limitations of this poetry with two sets all. Started two poems Strictly speaking the fundamental conditions of the 'City ontological "and the poetic possibilities of language, asking" the language of the ontology' is also in this context is not. Such a poetic journey of the reason he announced earlier motifs and themes of poems begins with cud. Two poems about the kind of poetry existing commentary, giving the impression it-yourself guide, and two is similar. Readers 『mouth』 forehead affectionately watched city in the yiseongbok poetic motifs and materials that they can easily see being repeated. The poetry of the marry an existing report and touched on the point of discrimination, nonetheless being repeated on yiseongbok that leads the unique Let's look at what is a consistent flow. Poets and poetry and language, two thousand people in the sense of the ontological yiseongbok these aspects of city origin and track the changes are not separated with a historical ontology.
목차
2. 시의식의 단련과 적극적 수동성
3. 존재의 근원적 이질성과 구원의 가능성
4. 결론에 대신하여: 예술과 가상(假象),언어의 근원적 불가능성
참고문헌
Abstract
