원문정보
A Study on Narrative Technique and Characteristic of the Namhangang
초록
영어
Study on Narrative Technique and Characteristic of the 『Namhangang』 Kim, Hong-jin (Hannam University) This paper, 《Namhangang》 is change in character with a descriptive attribute the change of the focal characters, parodies, such as those focusing on a figure of speech acts and inserted in the narrative ballad with a focus on properties was projected. 《Namhangang》 is the first place, who had a ready-made cigars Sin, Gyeongrim or narrative-oriented characteristics are attributed to. These narratives, such as castle folk songs and traditional folk art, combined with good, while 《Namhangang》 serves as a creative way. 《Namhangang》 the 'dolbae'(돌배), a private entity as the epitome of the folk group byeonhwahaega through the process of communal life and the conscious control shows a commitment to. Japan, as well as the historical context of the colonial era and after the liberation forces in the formation of grassroots response to the historical realities shaped by contemporary folk groups and the narrative of the community will be based on the spirit world and the narrative. In other words, 《Namhangang》 is not a mere representation of the history of the past present and future relationship means that there is metaphor. Therefore, insight into the history and present fairly comprehensive and critical understanding and to explore the future will be contained in the spirit. 《Namhangang》 is common in the folk songs of sequential windows and replacement windows gut(굿) mix together the individual and the collective position of the speaker to sing or not to exchange experiences and to the other party shall have satirically. Speaking on the general sentiment put a familiar melody evokes a broad sympathy. Former young folk of resignation due to weak sentiment for change to be more healthy and active, open new horizons of folk songs when you can evaluate that. Sorrow and grief as the emotional people and with the spirits of optimism is that sex was our tradition of folk art in the world attitudes toward life and one of the important aspects, and a source of strength and beauty of grassroots aesthetic characteristics can be important point can be regarded as containing the work.
목차
2. 서술주체의 변화와 서정화자의 개입
3. 삽화적 구성과 독백적 서술
4. 민요 양식의 차용과 재맥문화
5. 맺음말
참고문헌
Abstract
