원문정보
The aspects of poetic acceptance of the rural images -Based on the Poems of Park Yong-Rae and Shin Kyung-Rim-
초록
영어
Through the poetic words about the images of the farming village, the poet Park Yong-Rae lived in the alienated space apart from the center. It was somewhat engaged with his spirit to live his life by getting out of the secular realities and following the law of nature. So, he replaced the alienated space for the images of nature which he dreamed for a long time. So, It can be said that all the poetic words in his poems concerned with nature are the other appearance of the poet. Although he lived in the alienated space, his free will to go back to the uninhibited aspect of nature was formalized by the poetic words of the images of nature. The poet intended to ventilate the emotions by mirroring the inner consciousness of beauty to the outer objects instead of expressing his feelings directly. We come to know the sameness was given to his poetic images and condensation were endowed with in this way . The forms of his poems were simplified and the terminations were minimized. Especially, metrical considerations inhabit in the management of the lingering tone and the subtle margin between the feeling of continuity and discontinuity that are originated from the faulted enumeration of the poetic words that were cut into pieces . And also we can see metrical considerations between the continuing expectations of the rhythm and the odd combinations of the fitful rhythm which is deliberately discontinued. It can be said that the beauty of the poems of Park Yong -Rae is found in the subtle space between the continuous rhythm and the discontinuous rhythm and in the rest place which the space and the fault have . After all, his poems are based on the explorations of formalism which persue the beauty of formality by attaching weight to the visual and formal atmosphere . It can be adjudged that not only he succeeded in this point of view but he had a poetic success in detecting the lyrical images becoming to the formal elements. The narrative-lyric poems of Shin Kyung -Rim can be said to have started from the conscious awareness that , only with the pre-existing traditional lyric poetry , there could be difficulties in formalization of the complexity of the real lif. So, instead of the traditional ways of writing poems, Shin Kyung -Rim sought to extend the ways of the lyrical types by doing efforts to accept the concrete experiences of the contemporary real life. By introducing the elements of the story to the poems, he , so to speak , tried to combine the lyrical poems with the narrative ones . In the process of combining the two types , he basically used the ways of description and narration. And , in this frame , he used the way of inserting the inner feelings and soliloquies of the speaker in the lyrical poems. Such a process of writing poems can be regarded as an intention to overcome the traditional limit of the lyrical poetry which basically uses the expression of the subjective emotions and as an intention to enlarge the bond of sympathy with the readers through gaining the objectivity. It can be seen that the poet , condensing and enriching briefly the narrative elements of the actions and the occurrences in the poetic structure , connects them with the lyrical elements. In the long run, it can be said that this kind of his narrative -lyrical poetry , engaging with the lyricism in the poetic process of formation , enlarges the poetic meaning by the reality acquired from the story which contains the realistic and objective facts.
목차
2. 농촌 서정의 표현 양상
1) 자아 투영 공간으로서의 '농촌'
2) 현실 반영 공간으로서의 '농촌'
3. 시적 형상화 방법
1) 윤율과 형식을 통한 의미의 내면화
2) 서사를 통한 의미의 확대
4. 맺음말
참고문헌
Abstract
각주