원문정보
The Study of Perm Patterns with Korean Traditional Roof-tiles Gi-Wa
초록
영어
In modern society, beauty is considered one of the most valuable aspects of people. Especia11y hair-style, is one of the most important ways to represent one' s personality and image. This means that a variety of hair-styles are very important and keeping up with the latest trends has also been popularized. Even though customers always want to try new, the beauty industry always proceeds with similar designs. Thus, the appearance of new designs are extremely necessary for the industry. “"Gi-Wa" is the name of a tile which is used in ancient Korean-style building. The "Gi-Wa" tile contains aesthetic and symbolism of traditional korean design and this unique pattern of Gi-Wa can be used in beauty industry. So this research tries to apply the pattern of Gi - Wa to new perm design.
First of a11, this research started with the theoretical basics of Gi - Wa such as the history of Gi - Wa, kinds, shape and pattern and it also researched the concept of hair-design and the concept of perm-design. Consequently, this research came up with three unique works. The inspiration for these works came from the pattern of Korean traditional tile Gi-Wa. The first design idea come from vine-patterned Gi-Wa this work uses circled patterns and pin-curls. The second design came from the overlapping part of Gi-Wa so the work is completed with zig-zag winding. The last design got a motive from traditional Korean houses with Gi - Wa roofing. It contains diagonal line winding and quarter circ1ed pattern.
The perm designs in this research are a11 applied to the same haircut style so a wide variety of hair-design elements might not be seen in this research. The needs of contemporary customers has becomes more diversified and individualized. Therefore, a variety of research into haircut, color and length are necessary to satisfy the contemporary customer' s desire.
목차
I. 서론
1. 연구목적
2. 연구방법 및 내용
II. 이론적 배경
1. 한국 전통 기와
2. 헤어디자인의 개념
3. 펌 디자인의 개념 및 와인딩 기법
III. 작품제작 및 분석
1. 작품제작
IV. 결론
참고문헌