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연구논문

음악적 감성을 시각화한 헤어아트

원문정보

Visualized Hair Art by the SensibiIity of the Music

김슬기, 박재홍, 박은준

피인용수 : 0(자료제공 : 네이버학술정보)

초록

영어

Today, as the boundaries of formative art have been abolished, the interaction among different territories of art , even beauty art , has become more harmonious, and the creatvity and artistry of formative arts have been influenced heavily. As the variety of visual arts has been given more meaning, hair art that emphasizes formative art has led to many creative attempts. This study is attempting to see the feasibility of the visualization of the sculpture based on previous researches which are expressed sculpture out of acoustics. This study is trying to suggest more creative formative style of hair art synesthesially by forming visually in hair art transforming acoustics factor to sculptural factor. Through Russolo ’' S “"Intonarumori" , Nam J une Paik’' S “"the more, the better" ’'Kandinsky' s “"Improvisation19, Improvisation30" , Paul Klee’' S “"Rhythm" , and more, it could be resulted from creating hair art by visualizing of the sculpture out of acoustics confirming the fact that sculpture is made of acoustics. This research study which used guitar music as the subject matter, the first piece of work “"To resonance my Soul to mind" , through the earphones was born the second piece “"To Go Crazy for Music" , and listening to music of a different sort was work(C) “"the Notes are Dancing" was created. To express Artpieces (A) , (B) , (C) as Hair art, a human' s face (my face) was employed, and so were music-related material such as guitar strings, ear phones, music notes were put to direct and express the hair. The sensibility of the acoustics as the matter is creating the artist’' s mental image of the art piece, many pieces in the area of the hair art as well as many formative artpieces will be produced with musical sensibility, and music becomes motive for hair designers to create more innovative artworks, and they are expected to produce a plethora of artwork.

목차

Abstract
 I. 서론
  1. 연구의 필요성 및 목적
  2. 연구방법
 II. 이론적 배경
  1. 헤어아트의 정의
  2. 음악적 형상과 공감각 - 복합감각
  3. 음악의 조형적 가능성과 음악을 모티브로한 작가
  4 음악을 모티브로 한 작품
 III. 재료 및 작품제작
  1. 작품 (A) 내 영혼이 울리다.
  2. 작품 (B) 음악에 미치다
  3 작품 (C) 음표가 춤춘다.
 IV. 결과 및 고찰
 V. 결론
 참고문헌

저자정보

  • 김슬기 Sul-Gee Kim. 서경대학교 미용예술대학원 미용예술학과
  • 박재홍 Jae-Hong Park. 서경대학교 미용예술대학원 미용예술학과
  • 박은준 Eun-Jun Park. 서경대학교 예술대학 미용예술학과

참고문헌

자료제공 : 네이버학술정보

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