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A Study on the Literary Film based on the Poetry Jung, Jin-kyung This paper closely examined how the special characteristics of the films that are based on poetry are expressed. This paper focused on the arrangement of images and the method with which significance is generated during the process of adopting poetic characteristics to films. The similarity between the poems and the films does not stop merely with the formative aspect, but moves onto the aspect in which significance is generated. Charade is created since the image technology that is in line with this uses poetic language to create significance. The essence of image that perceives the target as sensation and perception, interpreting the significance and structure effectively is not unrelated to the human beings’ symbolic thinking system that is accumulated culturally. Aesthetics that are created by the poetic language can be considered integration of the form, essence of the image, and the symbolic thinking system of the human beings. If the form that embraces all these three is the poetic symbol in case of poem, it is the Charade in case of the films. These two are drastically different in a way since they use text and image, but they are similar in the sense that they create similar sense of aesthetics since they conjure up the images of the scenes by leveraging human beings’ perception and sensation. Use of the image in films is used similar to the original version, and the parts that are created by the film-like characteristics apply similar language. Scope of film level discourse is influenced depending on the method of applying same language (that is, method that is inclined to by the poetic genre). In particular, what is noteworthy is that the film scenes created due to the need or the narrations are made based on poetry. Created contexts create time level cause-effect relationship to play the role of making people understand the film level discourse. Poetic language that the Charade makes in a film does not merely increase the artistic value as the symbol and metaphor casting away the language. It also overcomes the limitations of the time that the films have: Films need to give form to many in a relatively short period of time. Creative context that results due to the diverse Charade methods is evaluated in a positive manner given that it is the artistic upgrade of images.