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“Emily Dickinson’s Female Poetics.” Studies in English Language & Literature. 37.2 (2011): 145-63. This study aims at dealing with Emily Dickinson’s female poetics. The notion of a female poetics emerges from women’s own experience of literature and women’s ways of knowing and focuses on how and what the female writer creates. Understanding female experience comes to be integral to the interpretation of Dickinson’s poetry. Dickinson‘s poetry can be studied in the light of female poetics because she has been regarded as the originator of American poetry by Adrienne Rich and Suzanne Juhasz. Dickinson decided not to have her poems published because she did not want to conform to an editor’s directions. She belittled the value of publication and included her poems in letters to friends and family members, adopting the fascicles as her own form of publication to conserve her poetry in itself. She sought a new path of her own technique of poetry through dashs, ellipsis and “unfinished” last lines. Dickinson scholarship has recently proliferated with the added zest of the feminist movement in literature. This study begins with an overview of several elements of her poetics and attempts to analyze them in the light of female poetic theory. The major purpose of this study deals with certain elements of Dickinson’s female poetics, particularly style and themes. Dickinson strives to be unique among the more feminine and decorative poets of her time. So, one can develop a fuller understanding of how she defined herself as a woman poet. (Hanbat University)
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