earticle

영어

From its discovery to now, Tang sancia has experienced a history of about 100 years. Mang mountain in the north of Luoyang is an area where Tang sancai was unearthed in great numbers at the earliest, so the villagers of Nanshishan village on Mang mountain began repairing and copying Tang sancai from the last years of Qing Dynasty by using firing technology of traditional building/glass tiles. After experiencing a process of coming into being and forming, it was greeted its prosperous period in 1980s, when traditional Tang sancai craftwork became representative formative artwork of Luoyang region. However, from the late 1990s, traditional Tang sancai industry of Luoyang region fell into its decline of the period. The decrease of production volume, lack of young inheritors, not designing new products which match times and other reasons made Tang sancai industry fall into crisis. This paper tries to analyze and pack up the topics to face for the traditional Tang sancai industry of Luoyang region by making up and analyzing historical documents and through in‐site survey including inheriting of craftsmen, evolution of technology and etc; and starting from a point of view of design in life, to derive the developing direction in the future. They are the most purpose of the paper.

중국어

唐三彩从发现到现在经历了约100年的历史，洛阳北部的邙山就是最早唐三彩大量出土的地区，因此，处于邙山上的南石山村村民，当时利用传统建筑[琉璃瓦]的烧制技术，从清朝末年开始修缮，复制唐三彩。经历了由诞生，形成的过程之后，在1980年代迎来了繁荣时期，使传统的唐三彩工艺成为洛阳地域具有代表性的造型艺术品。然而，自90年代末期开始，洛阳地域的传统唐三彩产业却陷入衰落期，由于生产额的减少，缺乏年轻的继承人，没有设计出和时代相符合的新产品等原因的出现，导致了唐三彩产业陷入危机。本文通过对历史文献的整理，分析的同时，也实施了实地调查，内容包括匠人的传承，技术的演变等等。力图分析，整理出洛阳地域传统的唐三彩产业所面临的课题，并从生活设计的视点出发，能够导出今后的发展方向，是本文的最大目的。