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다산 정약용의 <茶山八景詞> 고찰

원문정보

A Study on Dasan Jeong Yak Yeong's <Dasan Palkyung Sa>

다산 정약용의 <다산팔경사> 고찰

황민선

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초록

영어

Literary men in Joseon period were attached to nature and It was a way of doing a great deal in self-culture for them to take pleasure in nature. The love for nature was actualized in a grove, palace, pavilion in the whole nation. Since many literary works recited those places, the literature for a place and pavilion plays a role of materials that clearly give a notion of an outlook on nature and scenic aesthetics Dasan Jeong Yak Yeong, the great realist in the post Joseon period, embodied his view of nature in scenic aesthetics according to his literary works, especially the literature for a place and pavilion. Dasan was also attached to nature like any other contemporary writers and such a kind of his attitude was expressed in positiveness of scenic scanning As a way of understanding Dasan's scenery aesthetics, this manuscript construe his landscape poems less conducted researches on than the poetries on a realistic cognition. In the eighteenth century, there were many literary changes and achievements. Dasan established a new sight of words and painting deviated from existing Sung Confucianism as well. The cognition of objects ,based on a real world, extended to a view of nature recognizing in the actuality not in the abstract. Dasan's view of nature is well explained by his landscape poetry. among his poems, NuJungJeYoung, shown the typicality of landscape poetry, is the one of great examples. This manuscript, therefore, will examine Dasan Pal Kyung Sa, one of Nu Jung Yuhn Jak Je Young, with his nature perspective and its characteristics through linguistic and painting perspectives. This article could be unsatisfied since it explicates his literary works with only side issues not whole Dasan's great volumed philosophy and literature. However, for having various view of perceiving his poetry world not biased on social and peasant poetry, I do believe this article provides important foundation for analysis of landscape poems that can in no way be negligible because of its great volume.

목차

1. 머리말
 2. 다산의 원림인식
 3. <茶山八景詞>의 특징
  1) 개방적인 시적대상의 이미지
  2) 사실적인 시상전개
 4. 맺음말
 참고문헌
 Abstract

저자정보

  • 황민선 Hwang, Min-Sun. 전남대학교

참고문헌

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