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韓國

영화 <게이샤의 추억>의 탈식민주의적 해석

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A Postcolonial Interpretation on the Film Memoirs of a Ceisha

고현철

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영어

This paper aims to develop a postcolonial interpretation on the Hollywood film Memoirs of a Ceisha in terms of the concepts of postcolonialism including “orientalism”, “postcolonial feminism” and “narrative cinema”. The results of the investigation are summarized as the following. First of all, the Hollywood film Memoirs of a Ceisha is the representative cultural product of orientalism which reveals a characteristic of postcolonialism. The paper also argues that the Hollywood film Memoirs of a Ceisha is produced through the vision of Western imperialism and colonialism. Thus, the Hollywood film Memoirs of a Ceisha is a prominent ‘narrative cinema' that is based on the hegemony of Man’s vision be connected with the ‘visual’. Finally, it is claimed that the Hollywood film Memoirs of a Ceisha reveals a characteristic of postcolonial feminism, that is, the feminization of postcolonialism.

목차

Ⅰ. 영화 <게이샤의 추억>을 해석하는 관점
 Ⅱ. 영화 <게이샤의 추억>에 내재된 미국의 시선
  1. 아시아인을 구분하지 않는 미국의 시선
  2. 일본어 대신한 영어와 비주얼(Visual)의 극대화
  3. ‘게이샤’에 대한 미국의 시선
  4. 내러티브에 내재된 미국과 남성의 시선
 Ⅲ. 영화 <게이샤의 추억>의 탈식민주의적 해석
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 논문초록

저자정보

  • 고현철 Ko, Hyun-Chul. 부산대학교 인문대학

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