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영어

The aim of this thesis is to submit the narrative structure of fantastic novel which was written since 1990's. I apply the fantastic novel theory of Tzvetan Todorov who is the pioneer of fantastic novel theory and Rosemary Jackson who developed Tzvetan Todorov's theory to this study. Epecially, thie study focuses on showing how 'Hesitation' which is the first option in Tzvetan Todorov' theory is realized in the novels since 1990's, and also vet how to modify the'Hesitation' and narrative structure of fantastic novel recently. by Lee, Pyeong-Jae which shows the 'Hesitation' between supernaturalness and reality was studied here. Fantastic novel which has narrative structure deals with non-daily experience. So, in the story, we can see the vehicle of 'Hesitation' and the reader can meet 'Surprise' through it. by Lee, Pyeong-Jae added 'Transformation' of Tzvetan Todorov to dramatic game of Milan Kundera. With that we can see how the dramatic game style get together with fantasy. and how the reality join with fantasy. Union between supernaturalness with reality is one of the style in fantastic novel. and we meet it a novel, like by Choi, Yin-Suk.. It's quite like a cartoon. it divided into two parts. One is the character who accept fantasy without 'Hesitation' and the other is the reader who taste fantasy accepting "Hesitation'. In the story, the teller assimilate with shamanism which can't easily accept in reality. Unreasonable fantastic world disclose hypocrisy of civilization and comfot agony of real world. in these kins of novels. We can find out new fantasy. It is fantasy without supernaturalness, fantastic world made up of reality. There is a man who is very normal person like any other. There is no supernatural accidents or unrealistic characters. In the novel, the reader can realize that the dailiness is another face of fantasy. We can see the overturn of fantasy. Jang, Jung-Il borrowed a motion picture technique like parody, montage and camera eye in [Pelican], his novel. A motion picture technique in this novel use to criticize the real world where we live. The death of fantastic novel which Tzvetan Todorov worried was reborn in other world. Tzvetan Todorov's 'hesitation' in 19century transformed into new image. Since 1990's, fantasy replaced deman and sexual desire with pictue and image. It is not just staying as fantasy but also the reaction of violence in reality