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한ㆍ중ㆍ일 삼국의 헤어스타일 비교 - 통일신라, 당(唐), 헤이안(平安)시대를 중점으로 -

원문정보

A Comparative Study of Hair Form of Three country - Unified Shilla Dynasty, Dang dynasty and Period of Heian -

김은영, 권오혁

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초록

영어

Ancient times is the social class, this study is about three different kingdoms -Unified Shilla Dynasty, Dang dynasty and Period of Heian-of relationship with hair style and beauty. Three different country unlike but have a almost same time, connected frontier so such trend women’s hair style how influence to the others. such as how developed and changed variation form.
Shilla accepted the culture of Dang dynasty , but it is upper-class. most maintained its own unique hair styles of previous generations. Dang dynasty were characterized mainly by high topknot on the top of head, which became leveled up gradually higher along with more sufficient and brilliant form. During the Period of Heian featuring aristocratic culture the perceived meaning of elegant colors with a focus on intermediate colors and silver gray based on the aesthetic concept of miyabi prevailed. hair style of this century is very long even over the woman high, and dark. this style recognized charming and noble. Unified Shilla Dynasty of Ga-che was very famous and popular because Shilla people have a well-kept hair. it is very popular to Dang dynast. actually in pursuit of beauty, splendor and prominence women wanted to various types of hair style. but Period of Heian is developed different type independently as women’s long hair hang down there’s back. Three country of similar point that Ga-che was fashioned in nobility. it was expressed big size of it with decorated jewel and silk and so one. reversely the humble classes ‘hair style was alike to Goguryeo and Bac-je, more simple and unpretentious. As a result dang ,Unified Shilla Dynasty and Period of Heian were closely connected with there politics or trade so influence to beauty. putting above-mentioned findings together, it appears clear that all the phenomena of hair style as part of costume systems are the cultural outcome of the times and the society.

목차

ABSTRACT
 Ⅰ. 서론
 Ⅱ. 이론적 배경
  1. 통일신라시대의 미용문화
  2. 당나라의 미용문화
  3. 헤이안 시대의 미용문화
 Ⅲ. 결론
 참고문헌

저자정보

  • 김은영 Eun-Young Kim. 원광대학교 대학원 뷰티디자인과
  • 권오혁 Oh-Hyeok Kwon. 한성대학교 예술대학원 뷰티예술학과

참고문헌

자료제공 : 네이버학술정보

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