earticle

영어

The Study of the third-rate amateurism of Jang Gi-Ha's music - with the words of a song Nam, Song-Woo․Kwon, Juria Jang Gi-ha's music advocate the clumsy amateurism in the reality where amateur is disregarded. Amateurism does not have the cultural or intellectual bluff, it can cover all the things. Jang's music covers the best first-rate and reinterpreted the amateurism as the aesthetic of tolerence over the stubborn society. The third-rate shows the humanity to communicate with the world with kind consent rather than hard-headed analysis of misfortune reality. It rather has a chance to relieve the sense than tackle with suffering. In this process, the amateur shows the original human being in the raw which no professional can imagine. In Jang's music, the humanity, third-rate consensus and amateurism is different from other independent music. Differ from general independent music, only the third-rate music can afford to go round with the times. Other independent music had often drown to the autistic enjoyment after indulging in the depression of the age. Jang's music has the murmuring and warmness of the third- rate because he does not see the music as ideological movement or the reality as the object of conquest. Jang's music does not have a dual planning as third-ratism is on the opposite side of elegant and refined life style. The reason why Jang's music should be enjoyable and lifeful is that humanity of the third-amateurism. Jang's active being the third-rate and amateurism is making the colleagueship and balance the crack of society. The reality right now is the heaven for the minority, the hell for the majority. In this unfortunate period, Jang's music's popularity lies on the third-rate amateurism. As it does not make people nervous, even without seriousness, in Jang's music it makes anyone to accept the being whatever circumstance. The people get the vitality through awkward third-rate and insufficient gossip which cannot be found in any cultural or intellectual bluster. The social meaning of Jang's music is the social vitality immanent by Jang's the third-rate amateurism.