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연구논문

웨딩예식에 나타난 세미 업스타일의 형태적 디자인 요소 특징 -1990년대 후반과 2000년대 중반 이후 비교를 중심으로-

원문정보

The Characteristics of Formative Design Elements of Semi‐Up‐Style Observed in Wedding Ceremonies - Through Comparison of Up‐Style between the Late 1990s and the Mid and Late 2000s - ‐

안금희, 오인영

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초록

영어

This study examined the characteristics of formative design elements of semi‐up‐style
observed in wedding ceremonies in the mid and late 2000s focused on five elements (parting,
position and volume of chignon, burial and exposure of the ear line, forelock style, and head
pieces, corsage, and various accessories including wig) by comparing them with the
characteristics late 1990s. First, with regard to the type of parting, late 1990s, parting in the middle or combing straight back was popular regardless of face shape, but in the mid and late 2000s, parting was made at the side to produce elegant and refined beauty. Second, with regard to the position and volume of chignon, late 1990s, chignon was raised up to the gold point (G.P) and the top point (T.P) or an excessive volume was given to TP, so it looked artificial and old, but in the mid and late 2000s, chignon was positioned at the nape point (N.P) and back point (B.P), and N.P gave a point volume at around the neckline to produce the feeling of moderation, elegance, and composure. Third, with regard to the burial and exposure of the ear line, late 1990s, the ear line was exposed completely with no consideration of the bride’s face shape, so it looked artificial and old, but in the mid and late 2000s, the ear line was styled in various images including full exposure, partial exposure, and full burial. Fourth, with regard to forelock style, late 1990s, forelock was combed straight back neatly, but in the mid and late 2000s, forelock was styled in various ways including bang hair, medium length, and oblique curl. Fifth, with regard to partial wig and accessories, late 1990s, simply corsage or a partial wig was used uniformly, but in the mid and late 2000s, a partial wig was seldom used and various pieces of different shapes, sizes, and materials were used including corsage, head pieces, and natural flowers to adorn the bride. That is, while up‐style late 1990,s was a classical style that put the hair up to the top, looking unnatural and old, that in the mid and late 2000s was mainly natural semi‐up‐style in
harmony with place, makeup, dress style, etc.

목차

Abstract
 I. 서론
  1. 연구 필요성 및 목적
  2. 연구방법
 II. 이론적 배경
 III. 업스타일비과교 세미 업스타일 비교
  1. 업스타일(Up-Style)
  2. 세미 업스타일(Semi Up Style)
  3. 업스타일과 세미 업스타일의 형태적 디자인 요소 비교
 IV. 결론
 참고문헌

저자정보

  • 안금희 Gum-Hee Ahn. 서경대학교 대학원 미용예술학과
  • 오인영 In-Young O. 서경대학교 대학원 미용예술학과

참고문헌

자료제공 : 네이버학술정보

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