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영어

All works of art finish implementation of the subject by the act that porcelain including recognition of guilt conscience is analytic in addition to guilt conscience. You include in the body through recurrences of an act of human groups in the human semiotic or semantics world, and you will find meaning of the existence. The Ojeonghui novels which looked into this study's 「Sacrifice (燔 祭)」 an element of search regarding human origin and sincerity substance appears. Restriction will get out from nothing indigestion original sins at guilt conscience called embryo killing the that it is a main character. You will die with the that it is a narrator in order to get out from the original sin consciousness or mother estranged, and you attempt a child as identity. You are found oneself that the moment batter that though finds finally out the substance has become a superego in processes of identity. Though you are detailed, you make look to scopes of the existence not the one's sphere of by abstraction of the indistinct inside that you already establish, and you select a few symbols instead of true explanations if you use metaphor as change atmosphere, and make instead of objective interpretation, and was hidden own novel world not being as contrast with actuality to true dimensions and interpretation instead of clear descriptions in the sides in another processes. There is to the space which you are fixed in order to observe or the narrator for that kind of a reason was locked space. That is, the characters look up the world that a space of the prohibition that seems to be an underground or the hospital which is a place which do not reveal by any means out from the other was stopped even if observe the other. We will look up the root of severance with the self and the world at him. The existence built over in the gap of a boundary of life and a death, as an instantaneous flying spurious sleeping pill handing over confirmed new → mummy → exceeds a wet bird→ bird flying of window frame → old of a female shaman → corrupt lump of meat, and you lie on a bed, and you close your eyes. And for along time waving finds the marine ‘or’ which you cross, as see one head of young sheep which will die, and have washed repeatedly a hand. 「Sacrifice (燔祭)」 a main character is not a person to get used to seeing us. The feminine life that it is familiar with us that this person approached so as to be strange is as is not. It is to be an escape method from the regular suppression that you expose to insanity called embryo killing, or aggressive feminine selective writer detailed throwing eyes of greed to the men who are not a woman getting from eyes of greed would look up in order to take back own identity. Union of a visual already color image brought expansion of a sensibility expression, and you ensured scope of characteristic narrative discourse even if you dissolve in processes of the escape, and you can do. If you satisfy a curiosity regarding the woman who did who appeared in to a text, and it comes out, you lose a fantasy regarding the woman, and let's look up another woman, and you shall leave. As you are so, do not know whether or not you are troubled with to compulsion symptoms of wash a hand. which you take off like or which are a main character of the novel inside of were not able to throw. A fickleness to have a dream s one's love, pleasure, escape that have appeared always feminity's identity search may be the results that it is necessary of desire. Through 「Sacrifice (燔祭)」, Ojeonghui's narrative characteristics may be overthrew the surface life to have been locked to a rational language, and having would include until aspects to have done of the life that is inherent in the unconscious world.