초록 열기/닫기 버튼
Zainichi Korean literature, which addresses questions concerning the Zainichi Korean minority, can be considered as one among many postcolonial literatures. By examining works of Sagisawa Megumu, Kaneshiro Kazuki, and Kim Masumi as case studies, I position contemporary Zainichi Korean literature within the broader context of postcolonial global history. Sagisawa’s novel Saihate no futari (Two persons at the margins, 1999) narrates the relationship between a Japanese woman, whose father is an American GI, and a Zainichi Korean man. After the man succumbs to leukemia, the woman discovers that his mother was a survivor of the atomic bomb. The silencing of his mother’s voice can be analyzed using Spivak’s concept of the subaltern. Kaneshiro’s novel GO (2000) addresses Korea’s division as a consequence of imperialism and the Cold War. Furthermore, it draws connections between African Americans in the United States and the Zainichi Korean minority, which can be interpreted as an allusion to Bhabha’s concept of mimicry. In Kim Masumi’s novel Nason no sora (The sky of Nason, 2001), a Zainichi Korean woman residing in the United States engages with both the Japanese expatriate community and Asian Americans, contending with essentialist concepts of ethnicity. I argue that in the selected novels both the literary negotiations of Zainichi Korean postcoloniality and its entanglement with global history as well as the references to other diasporas, namely, the Asian and African diasporas in the United States, contribute to a subversive reframing of some prevailing narratives concerning the Zainichi Korean minority in Japan.
