초록 열기/닫기 버튼
The Southern Song dynasty began its era due to the invasion of the Jurchen tribe, and also suffered the misfortune of meeting its end by the Mongols. The literati of the Southern Song, who had the painful experience of being deprived of their territory by a northern foreign people, wrote down their pain in various ways as literary works. Some left a record of their experiences so as not to forget the humiliating history, and others also expressed a strong will to fight and patriotism to recover the lost land through poetry. However, here are the works that depict the land of the lost homeland in a slightly different way from the above, and they are Meng Yuanlao's 『Dongjingmenghualu』 in the early Southern Song and Zhou Mi's 『Wulinjiushi』 in the Late Song Dynasty and the Early Yuan Dynasty. They remember the most splendid and beautiful days of the past that they experienced directly or indirectly, and now they are depicting in detail the spaces of attachment that have become foreign countries. Through these two ironic works that sang the joy of prosperity rather than the sadness of ruined country, this study attempts to take a look at what the image of the homeland that the literati of the Southern Song tried to portray was. In addition, this study will analyze the reasons why they left such works at the time from the perspective of 'healing', and examine together what writing strategy each work has.
