초록 열기/닫기 버튼
The “Album of Sixteen Views around Chiltanjeong” was produced by Son Gi-yang's fifth-generation grandson, Son Sa-ik. The album consists of two versions. One of them is 16 landscape paintings worked by an unknown painter in Miryang, including the preface and poetry written by Yi Ik in 1754, while the other is the poems by Kang Se-hwang and Lee Hyun-hwan on 16 landscape views by Kang Se-hwang painted by Yi Ik's request. This album shows 16 landscapes around the Pavilion Chiltanjeong, but it is also in line with the trend of the production of Gugokdo in the 18th century, which was proposed by his students to inherit his academic background, led by a scholars such as Yi Ik. From the end of the 18th century, to unite the academic background and to hold memorial service by scholars who succeeded Son Gi-yang in Miryang. Son Sa-ik's effort to link the “Album of Sixteen Views around Chiltanjeong” with Yi Ik is closely related to the origin of the school network that leads to Yi Hwang, Jeong Gu, and Yi Ik. It is not clear when Kang Se-hwang painted the paintings, but it is believed that it was painted when Kang actively participated in literary activities with members of the circle of Yi Jae-deok, a descendant of Yi Ik. Kang was close to the Yeoju Yi clan when he lived in Ansan. The background of the production of this album could be understood from the perspective of the relationship between Son Gi-yang’s school and the Geunginamin(近畿南人) school led by Yi Ik. This is an important example of how to represent the images of the scholarly lineage in the Yeongnam region of the 18th century.
키워드열기/닫기 버튼
Album of Sixteen Views around Chiltanjeong, Son Gi-yang, Son Sa-ik, Chiltanjeong pavilion, Miryang, Yi Ik, Kang Se-hwang, Geunginamin school, Yeongnam school
