초록 열기/닫기 버튼
This study dealt with Kim Daesoo's work 1988-1998, which were characterized by convergent construction of various media such as photography, painting, sculpture, engraving based on plastic experimentation. In this period, Korean photography showed radical changes, different from previous photographic tendencies and were seen in big size print and with mixed use of technique. Kim Daesoo presented new visual form by an artistic act of organizing artistic materials, similar to be seen in the development of western art. He tried to search for the self and meaning of life in his work. His visual strategy was also to reinforce intuitive recognition and influence viewer’s perception. These qualities, exhibited generic attributes of works which are discussed as explicit expansion of conceptual thinking. This study contributed to suggest right viewpoints on Kim Daesoo's photography.
