초록 열기/닫기 버튼

One poem is derived from ‘individual creative activities’ in the formation process so that its clarity is proved by how a particular poet coped with the situation of the times. The first Asian Hindu to win the Nobel Prize for literature, Tagore gave Creative Brain with a message of salvation to Joseon, the tranquil Hermit Kingdom, during times of suffering when confrontations between peoples were forced by the inhumane colonial policy of the United Kingdom. In particular, he had a great influence on the aspects of poetic literature of both Manhae who became the nation’s poet as the Zennist of the land, and Choheo who left various traces of life in the framework of Christian salvation with ‘Portrait of the wind’ during the dark period of national history through the Japanese colonial period. In this respect, it is very meaningful to revaluate Choheo and Tagore’s poetic literature in the comparative literary manner. In this way, a study on 「Connection and Contrast between Kim Dong-myeong and Tagore’s Poems-The identity of poetic material and spatial processing」, needs to reconsider not only an unilinear view that regards it as the world of decadent emotions, but also the unusual poetic ideas and rhetoric found in early Choheo works and the factors working as a core methodology throughout his poetic world. In the meantime, it should carry out a task of the in-depth exploration of the consciousness and the world view with the text of many poems created in similar circumstances where the social phenomena they experienced were imperialism and Japanese colonial rule. Although the religious colors are different, the similarities and differences, which are compared to the interrelationships of Tagore and Manhae, and Choheo’s poetic results by a medium of poetic literature and confirmed, are linked to the perceptions of their situation. In addition, the question of ‘what will be the focus including religion, philosophy, and social phenomena’ will be theoretically and clearly investigated.