An Analysis of the Aesthetic Meaning of ' Da yin xi sheng(大音希聲)

老子美學是中國古典美學的開端，是中國古代美學史上不可多得的寶貴文化遺產。老子美學中的“大音希聲”作為一個哲學和美學的命題，有著大量深刻而豐富的內涵。眾多學者嘗試從哲學、美學或藝術的角度探究“大音希聲”的美學意義，但並沒有真正闡明“大音希聲”所闡述的現象與本質，內容與形式的深刻辯證關係。筆者認為把握“大音希聲”的審美內涵及其美學意義必須要闡明老子的 “道”，因此，本文從“道”的角度，根據“道”的“有無”、“虛實”、“無為”的特徵，分析了老子的美學思想，並從“大美統一”、“大美無形”、“大美自然”等三個方面重新關照了“大音希聲”的所指及其美學意義。

Lao Zi's aesthetics is the beginning of Chinese classical aesthetics，which is a precious cultural heritage in the history of ancient Chinese aesthetics. As a philosophical and aesthetic proposition, "Da yin xi sheng(大音希聲)", which is comes from Lao Zi's aesthetic, has a lot of profound and rich connotation. So far, scholars have tried to explore the aesthetic meaning of "Da yin xi sheng(大音希聲)" from the aspect of philosophy, aesthetics or art. However, But it does not really clarify "Da yin xi sheng(大音希聲)"'s the deep dialectical relationship of the phenomenon and essence, and the content and form. The author holds that to grasp its aesthetic connotation and its aesthetic meaning, we must clarify Lao Zi's "Dao(道)". Therefore, this article , in the perspective of "Dao(道)", analyzes Lao Zi's aesthetic thoughts according to the characteristics of "Dao(道)", which is "You&Wu(有無)", "Xu&Shi(虛實)" and "Wu wei(無為)". And from the three aspects of "Da mei tong yi(大美統一)", "Da mei wu xing(大美無形)", "Da mei zi ran(大美自然)", this article takes care of the meaning of "Da yin xi sheng(大音希聲)" and its aesthetic significance.