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Even though cultural geography has long exerted a productive influence on theatre studies, the relationship between modern drama and sacred or religious geography has yet to be thoroughly explored. Glaspell’s The Outside is influenced by religion as much as it constructs a sacred geography for the theatre. By reading The Outside through the paradigm of liturgical theology, this essay argues that Glaspell uses the imagery of a natural, exterior, and sacred landscape to open her audience up to the importance of the interior landscape of the spirit.