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In Jazz, Morrison transforms her language into a powerful musical instrument that musically allows her words to play a rich and sorrowful melody, expressing the affliction and grief often experienced by African American. This paper demonstrates that Morrison, in creating her newly experimented narrative, Jazz, has chosen to model her work on a very specific structure of black art form called jazz music in order to expose the adversity and deprivation often encountered by African Americans. Thus, the analysis of the correlation between jazz music and this newly experimented strategies of the narrative is specifically discussed in this paper.