초록 열기/닫기 버튼
New novels of the enlightenment period were undervalued with their stereotyped simple structure, repeated themes and their enlightening tone. However, the simple plot line of the new novel and the visual representations can be read in the context of popular literature and culture. This paper analyzes Tears of Blood (『Hyului Nu』, 1906) by Injik Yi and examines how the discourse of modernity is imposed upon the body of the female protagonist. The enlightenment ideology on female education meets with the patriarchal ideology on the female body. This is shown through the language of the marriage contract and the circumstances of the female protagonist. This study suggests that the concept and premise of Tears of Blood on the issues relating to women's education are similar to the ones of the Japanese imperialists on the issues relating to their domineering efforts over Korea during the era. This fact hints at Yi Injik's personal history as a pro-Japanese enlightenment ideologist.
