초록 열기/닫기 버튼
Park Young-Keun has been evaluated as the first rate labour poet in Korea. He published Kim MiSoon Jeon which had unique elements such as epic poetry, Pansori, and Kim Jiha's Damsi. In this long poem, the poet represents a female labourer who is innocent because of her lack of identity. She has strong desire for fashion, money and sex which are superficial elements of capitalistic society. She comes to be the victim of power that would cooperate with capital. Kwon Doga seduces her to play the role of fraktsiya. She dares to approach the leader of labor union, Walsun. She pretends to sacrifice for the union, by which she gets the trust of Walsun. Then, she steals the information of the union, which lets Walsun be prisoned. The poet tries to describe the situation objectively by using multi-viewpoints of Pansori. With this literary technique, he overcomes the literal weakness of dichotomy which has usually appeared in Labor poems. Park Young-Keun represents the characters of power, capital and laborers objectively by keeping distance, so that he can criticize even the members of labor union lacking in their own identities and strong will for reformation of society. However, the poet shows the reversal of MiSoon by having Deleuze's good meeting which permits her spiritual transformation. She, in her fantasy or dream, meets her mother and Walsun, which leads her into repentance for her previous role as fraktsiya. From this motive, she rejects Kwondoga's offer to play the immoral role. By discovering her transcendent change, the agent of power decides to kill her who knows too much about the conspiracy of power and capital. Experiencing the painful suffering given by the power, she would not surrender to it. Rather, she can get the complete freedom as a real labourer which can be evaluated as complete 'JeongDong' of Deleuze.
키워드열기/닫기 버튼
labour poet, emotional movement, Pansori, identity, power, capital, fraktsiya. dichotomy, reversal, repentance, Deleuze
